The 2025 Tony Awards were not just a celebration of theatrical excellence; they were a cultural milestone, with Cole Escola taking center stage in a fashion moment that transcended mere appearance. The 38-year-old star of “Oh, Mary!” made waves not only for their stunning silvery-blue gown but also for representing a new wave of celebratory identities in the arts. Escola’s attire, designed by Jackson Wiederhoeft, paid homage to Bernadette Peters, who graced the awards in a similar hue back in 1999. This intergenerational dialogue through fashion is what makes awards shows much more than a star-studded procession; they become a canvas of history and a platform for dialogue about identity.
Symbolism in Fashion
Escola’s gown was an exquisite blend of craftsmanship and thoughtful design, featuring hand-embroidered metallic blue glass beads and a dramatic taffeta train that swept across the red carpet. When Escola called the shade “Cinderella blue,” it evoked a spectrum of interpretations — from innocence to longing, from nostalgia to contemporary identity. The nod to Peters was a soft whisper of legacy and tradition, while the meticulously crafted elements of the garment spoke to modern artistry and inclusivity. Indeed, fashion at such events transcends mere vanity; it becomes an act of statement-making, and Escola’s choices resonate deeply within that framework.
Breaking Boundaries and History
Cole Escola didn’t just turn heads on the red carpet. Their performance in “Oh, Mary!” earned them significant accolades, marking a historic win as the first openly non-binary actor to receive the Tony for Best Leading Actor in a Play. This moment isn’t just about the recognition of talent; it’s also an affirmation of visibility for an entire community. By receiving this accolade for a play they personally penned, Escola not only honors their own journey but also redefines what it means to be a playwright in a traditionally binary industry. This dual role as both artist and performer expands the narrative of what is possible on the stage.
A Tribute to Legacy and Community
During their acceptance speech, Escola made a heartfelt acknowledgment of their fellow nominees, showcasing a commendable humility and camaraderie rarely observed in such competitive arenas. Their shift from humble gratitude to playful humor—“I’ll call you when I can, mom”—humanizes the figure often idealized on such occasions. This blend of sincerity and levity speaks volumes; it encourages aspiring artists to envision themselves within a supportive community rather than in rigid competition. Escola’s journey is emblematic of how the arts can foster camaraderie while pushing for representation and inclusion.
Layers of Meaning
The thematic depth in “Oh, Mary!”—exploring first lady Mary Todd Lincoln in the turbulent days leading up to her husband’s assassination—serves as a mirror reflecting our society’s engagements with trauma, identity, and resilience. It’s an embodiment of how stories can resonate and evolve over time. Similarly, the layers of meaning woven into Escola’s attire undoubtedly complement the poignant narratives portrayed on stage. In a world longing for connection and understanding, Escola stands as a symbol of possibility, challenging archaic perceptions of traditional roles in theater and the broader cultural landscape.
While the Tony Awards are often focused on accolades and red carpet glamour, they can and should serve as platforms for broader discussion on systemic changes within the arts. Cole Escola’s presence heralds not just a moment but a movement toward a more inclusive future.